The Batman is the latest reboot of the Batman film franchise, directed by Matt Reeves and co-written with Peter Craig. The film was distributed by Warner Bros. Pictures and released in March this year.
As The Batman is not part of the DC Extended Universe, I went into this film expecting something as original and as fresh as a Batman movie can be β and I wasnβt disappointed. As a lifelong DC fan, Iβve always been rooting DC movies despite their less than positive track record and the thunderous success of the MCU.

In the latest iteration, Bruce Wayne/Batman [Robert Pattinson] is a brooding recluse skulking about in his dusty, gothic mansion β you may ask, whatβs new there? Well, Wayne Manor is just one location thatβs been given a style overhaul. The latest Gotham City seems to be exactly between Tim Burtonβs dark, dystopic locale, with its constant steaming pipes and unexpected penguin population, and Christopher Nolanβs more modern, cleaner reimagining. This time, Gotham appears more like it does in the Arkham Series games.
Selina Kyle/Catwoman [ZoΓ« Kravitz] is the obvious love interest, but Kravitzβ Catwoman is one of the better female characters than weβve seen in a live-action Batman film, possibly ever. The Selina Kyle of The Batman has a level of independence and character development that was sorely lacking in previous iterations. Her morality in the film is seemingly as important as Bruce Wayneβs, and as the whole βno gunsβ schtick is very much his thing, I found that quite interesting.

Furthermore, The Batman refers to its source material – a lot. There are references to storylines from The Long Halloween (1996-7), Year One (1987), Ego (2000), and Earth One (2012). Itβs so much fun when youβre watching a film and it makes you think βyes, I remembered when that happened!β Itβs like a little reward when youβve been so invested in a franchise. The characters are also truer to their comic book comparisons, especially noting Edward Nashton/Riddlerβs [Paul Dano] portrayal in contrast to the disaster that was Jim Carreyβs in Batman Forever [1995].

The plot of the film reflected a very key facet of DC that has long been painfully ignored by previous films β the whole detective element of Detective Comics. Leaning into this, The Batman cites New Hollywood era detective films, and this not only provides a solid basis for the structure of the film but allows for control over the style of the film, both visually and thematically. The result of this adaptation amalgamation means The Batman is actually a fairly original reimagining, but it ultimately doesnβt really offer new information to fans, just a new way of being presented the same stories, characters, and mysteries.
Despite this, The Batman is absolutely worth watching, if you havenβt had a chance to yet. Itβs entertaining, stylish, and intriguing. I absolutely loved watching it, and I think fans will enjoy seeing this new iteration as a cinematic experience as well as picking it apart afterwards. I also think filmgoers who arenβt particularly into Batman will like it too, because it is a good film. Itβs immersive and sophisticated, balancing style with substance. Michael Giacchino also gives Bats a sweet little leitmotif for good measure, and I love a leitmotif.
Final rating: 8.5/10
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